![]() ![]() ![]() Harmony plays a role in the music’s feel, often displaying the song’s emotion, either the composer’s feelings or those the composer wants the listener to feel. Harmonies do not draw your attention away from the melody they merely build a texture behind it, adding substance to the piece of music.Ĭords often build up harmonies, and chords are multiple pitches played at once. HarmonyĪ harmony is supporting pitches that accompany a melody. The melody is the frame of a song built by a series of individual notes/pitches strung together, forming the most prominent layer in a piece of music by being louder, more dynamic, and having a higher pitch than the harmony. ![]() MelodyĪ melody is the fundamental element of music. We refer to beat as tempo, pulse, and meter.Ī beat happens when you have the main beat and an opposing beat with a different sound, which you perform using high and low drum beats or long and short beats. ![]() Rhythm builds on the beat, and both are always related to each other ( source).Īs an interesting side note, in Greek, rhythmos means “to flow.” BeatĪ beat is the unit of time we use in a piece of music, and it is the steady and regular pulse we hear in music. Rhythm does not have to be regular and evenly spaced as with a beat, so we understand rhythm as the movement of music through time. Each measure satisfies the staff’s specific time signature, and we know this time signature as the beat. See chapter 1, Fundamental Musical Concepts and Forms, "Texture.We can discern the pitch based on where the note is on the staff, and we know what rhythm to play by what type of note it is in the measure.Ī measure is the section of music that comes between two bar lines. I referenced the textbook Music Then and Now by Thomas Forrest Kelly to ensure the accuracy of my answer. If this does not answer your question, please be more specific. This question is categorized as "physics" but I am unsure which sort of physical explanation might be sought after specifically in terms of musical textures. You may compare and contrast these explanations to answer your question. A singer and a guitar, for example, are not exactly homophonic, but close. Note that most pieces are not all one texture or another. An example is the section in the "Hallelujah" chorus where the choir sings "And he shall reign for ever and ever." Additionally, Pachelbel's Canon is polyphonic. A good example is the moment in the "Hallelujah" chorus where the chorus sings a series of "Hallelujahs" in the same rhythm.Ī polyphonic texture refers to a web of autonomous melodies, each of which contributes to the texture and the harmony of the piece but is a separate and independent strand in the fabric, so to speak. Homophonic music has one clear melodic line, the part that draws your attention, and all other parts provide accompaniment. An example of monophony is one person whistling a tune, or a more musical example is the clarinet solo that forms the third movement of Messiaen's Quartet for the End of Time.Ī homophonic texture refers to music where there are many notes at once, but all moving in the same rhythm. We refer to these overall effects as texture.Ī monophonic texture refers to music with a single melodic line (no harmony or counterpoint) sounding the same thing at the same time-whether played or sung, performed on a single instrument or by a voice or voices and instruments playing in unison. More often we might have several different instruments playing together, each with its bit of melody, or a song that has a chordal accompaniment on piano. Most of the music we listen to consists of more than a single melodic line. ![]()
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